Through my years as a student of trumpet, I've shown potential and determination. I did most of the festivals and what-not. Music certainly has been a great passion from an early age. When I began playing trumpet with my new embouchure, I couldn't make a sound. This was devastating. How do I make a sound that resembles good trumpet playing? My mind went into a state of
overdrive. I over-analyzed everything about playing trumpet:
Air,
Breathing,
Breath support,
Buzzing,
Mouthpiece placement,
lip tension,
lip relaxation,
tight corners,
balancing top and bottom lips,
focused and supported buzz,
buzz response,
consistent air stream,
tongue position,
...
I can go on and on. Realistically, good brass players know these issues all too well. The really good ones, (the ones with jobs), have developed a natural control and balance with these issues. My embouchure change has forced me to go back to the beginning. I've been sent on a musical mission to find the most efficient way to play trumpet but all the while looking for my own sound, my own tone, my own musical voice. It's been a part of music that has always kept me interested and intrigued. I feel that every musician has their own sound. It's exactly like their human voice yet communicated through sound and their instrument and their music, which sometimes for me at least, can be more meaningful. I don't want to try and explain this sensation of sound in words because its impossible.
I eventually did make a sound. It happened within the first week, it was probably a concert 'f'. I got a buzz going on mouthpiece, translated it to the horn, and everyday now is just about making it better, easier, and more natural; to make getting around the range of the instrument with more ease, to be able to play musical phrases with my own musical intent without the struggle of the new embouchure getting in the way. It's like a baby learning how to walk, and how to talk, and how to interact, and how to go to the bathroom, ...
So here I've been, looking for the best embouchure, the best technique, the best trumpet sound. The path has already proven to be long. It's been almost five months now, which is scary yet encouraging to realize. I know this path will make me a stronger musician and a better person for having the balls to travel it.
Note: Maybe I'll soon begin to organize posts depending on what they pertain to (which will be either Trumpet Technique/Pedagogy/Study or Musical Strives). No promises.